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目 录 <span class="q">二十一调五十一体,起七十三字至七十五字</span>
师师令一体</span>
隔浦莲近拍五体<span class="q">又名隔浦莲、隔浦莲近</span>
郭郎儿近拍一体</span>
临江仙引二体
碧牡丹二体
百媚娘一体
风入松四体<span class="q">又名风入松慢、远山横</span>
传言玉女三体</span>
枕屏儿一体
剔银灯五体<span class="q">又名剔银灯引</span>
隔帘听一体</span>
越溪春一体
长生乐二体
诉衷情近三体
下水船四体
解蹀躞六体<span class="q">又名玉蹀躞</span>
扑蝴蝶四体<span class="q">又名扑蝴蝶近
</span>千年调二体<span class="q">又名相思会
</span>蕊珠闲一体</span>
瑞云浓一体
番枪子一体<span class="q">又名春草碧</span>
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师师令 杨慎《词品》:李师师,汴京名妓,张先为制新词,名《师师令》。</span>
师师令 <span class="q">双调七十三字,前后段各六句五仄韵</span> 张 先</span>
香钿宝珥<span class="q">韵</span>拂菱花如水<span class="q">韵</span>学妆皆道称时宜<span class="q">句</span>粉色有<span class="q">读</span>天然春意<span class="q">韵</span>蜀彩衣长胜未起<span class="q">韵</span>纵乱云垂</span>
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地<span class="q">韵</span> 都城池苑夸桃李<span class="q">韵</span>问东风何似<span class="q">韵</span>不须回扇障清歌<span class="q">句</span>唇一点<span class="q">读</span>小于珠蕊<span class="q">韵</span>正值残英和</span>
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月坠<span class="q">韵</span>寄此情千里<span class="q">韵
</span>●● ●●○○●
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此词无别首可校。其前后段第二句、结句,俱作上一下四句法,填者不可泛作五言。
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隔浦莲近拍 唐《白居易集》,有《隔浦莲》曲,调名本此,一名《隔浦莲》,又名《隔浦莲近》。</span>
隔浦莲近拍 <span class="q">双调七十三字,前后段各八句、六仄韵</span> 周邦彦</span>
新篁摇动翠葆<span class="q">韵</span>曲径通深窈<span class="q">韵</span>夏果收新脆<span class="q">句</span>金丸落<span class="q">句</span>惊飞鸟<span class="q">韵</span>浓霭迷岸草<span class="q">韵</span>蛙声闹<span class="q">韵</span>骤雨鸣池</span>
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沼<span class="q">韵</span> 水亭小<span class="q">韵</span>浮萍破处<span class="q">句</span>檐花帘影颠倒<span class="q">韵</span>纶巾羽扇<span class="q">句</span>困卧北窗清晓<span class="q">韵</span>屏里吴山梦自到<span class="q">韵</span>惊</span>
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觉<span class="q">韵</span>依然身在江表<span class="q">韵
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此词以此调及赵词为正体,宋、元俱照此填,若吴词、陆词、彭词之少押一韵,皆变格也。 坊刻,或于“水亭小”句分段,今照赵彦端词订定。 此词前段第四、五句,坊刻或作“金丸惊落飞鸟”,《词律》亦并作一句,引方千里和词证之,今按史达祖词“虚堂中,自回互”,又一首“西风净,不放冷”,陈允平词“林幽乐,多禽鸟”,赵闻礼词“杨花扑,春云暖”,钱应庚词“微微落,飞檐雨”,俱作三字两句,则周词之作两句,是亦一体也。 按,史词,前段起句“洛神一醉未醒”,洛字、一字俱仄声;第四、五句“虚堂中,自回互”,中字平声,自字仄声,又“西风静,不放冷”,放词仄声;陈词,第六句“斜阳堤畔草”,阳字平声;陆游词,后段第五句“零落塞鸿清影”,零字平声。谱内据此,其余参下所采诸词。 前段起句“翠”字,参彭词可平;第二句“径”字,参赵词可平;第六句“霭”字,参陈词可平,“岸”字参陆词可平。但查宋词,多用仄声者,宜仍用仄声。又,前段结句“鸣”字,参彭词可仄;后段第三句“颠”字,参史词可仄;结句“江”字,参吴词可仄。但查宋词,多用平声者,亦宜仍用平声,填者审之。
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又一体 <span class="q">双调七十三字,前段七句六仄韵,后段八句六仄韵</span> 赵彦端</span>
西风吹断梦草<span class="q">韵</span>起来芙蓉老<span class="q">韵</span>座上人谁在<span class="q">句</span>辰参疏影相照<span class="q">韵</span>幽馆寒意悄<span class="q">韵</span>檐声小<span class="q">韵</span>醉语秋屏</span>
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晓<span class="q">韵</span> 记年少<span class="q">韵</span>相携胜处<span class="q">句</span>黄花香满乌帽<span class="q">韵</span>如今将见<span class="q">句</span>璧月琼枝空好<span class="q">韵</span>准拟新春待见了<span class="q">韵
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不道<span class="q">韵</span>些儿心事还恼<span class="q">韵
</span>●● ○○○●○●
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此与周词同,惟前段第四、五句,作六字一句异。曾觌杨无咎、高观国词,俱照此填。
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又一体 <span class="q">双调七十三字,前段八句五仄韵,后段八句六仄韵</span> 吴文英</span>
榴花依旧照眼<span class="q">韵</span>愁褪红丝腕<span class="q">韵</span>梦绕烟江路<span class="q">句</span>汀菰绿<span class="q">句</span>薰风晚<span class="q">韵</span>年少惊送远<span class="q">韵</span>吴蚕老<span class="q">句</span>恨绪萦抽</span>
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茧<span class="q">韵</span> 旅情懒<span class="q">韵</span>扁舟系处<span class="q">句</span>青帘浊酒须换<span class="q">韵</span>一番重午<span class="q">句</span>旋买香蒲浮醆<span class="q">韵</span>新月湖光荡素练<span class="q">韵</span>人</span>
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散<span class="q">韵</span>红衣香在两岸<span class="q">韵
</span>● ○○○●●●
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此与周词同,惟前段第七句,不押韵异。
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又一体 <span class="q">双调七十三字,前段七句五仄韵,后段八句六仄韵</span> 陆 游</span>
飞花如趁燕子<span class="q">韵</span>直度帘栊里<span class="q">韵</span>帐掩香云暖<span class="q">句</span>金笼鹦鹉惊起<span class="q">韵</span>凝恨慵梳洗<span class="q">韵</span>妆台畔<span class="q">句</span>蘸粉纤纤</span>
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指<span class="q">韵</span> 宝钗坠<span class="q">韵</span>才醒又困<span class="q">句</span>厌厌中酒滋味<span class="q">韵</span>墙头柳暗<span class="q">句</span>过尽一年春事<span class="q">韵</span>罨画高楼怕独倚<span class="q">韵
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千里<span class="q">韵</span>孤舟何处烟水<span class="q">韵
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·
此与赵词同,惟前段第六句,不押韵异。陆词别首,“烟霏散,水面飞金镜”,正与此同。
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又一体 <span class="q">双调七十三字,前段七句六仄韵,后段八句五仄韵</span> 彭元逊</span>
夜寒晴早人起<span class="q">韵</span>见柳知新翠<span class="q">韵</span>撼树试花意<span class="q">韵</span>两蜂狂救堕蕊<span class="q">韵</span>见著羞懒避<span class="q">韵</span>春都在<span class="q">句</span>时节到愁</span>
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地<span class="q">韵</span> 屏间字<span class="q">韵</span>香痕半搯<span class="q">句</span>误期一一曾记<span class="q">韵</span>朱弦漫锁<span class="q">句</span>不会近番慵脆<span class="q">韵</span>强踏秋千似醉里<span class="q">韵
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扶下<span class="q">句</span>眼花跕跕飞坠<span class="q">韵
</span>○● ●○●●○●
·
此词见凤林书院,与陆词同,惟前段第三句押韵,后段第七句不押韵异。
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郭郎儿近拍 调见《乐章集》,注仙吕调。按,《乐府雅录》:傀儡子戏,其引歌舞,有郭郎者,善优笑,闾里呼为郭郎,凡戏场必在俳儿之首。柳词调名,或取诸此。</span>
郭郎儿近拍 <span class="q">双调七十三字,前段七句五仄韵,后段八句四仄韵</span> 柳 永</span>
帝里<span class="q">韵</span>闲居小曲深坊<span class="q">句</span>庭院沈沈朱户闭<span class="q">韵</span>新霁<span class="q">韵</span>畏景天气<span class="q">韵</span>薰风帘幕无人<span class="q">句</span>永昼厌厌如度岁<span class="q">韵
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愁悴<span class="q">韵</span>枕簟微凉<span class="q">句</span>睡久辗转慵起<span class="q">韵</span>砚席尘生<span class="q">句</span>新诗小阕<span class="q">句</span>等闲都尽废<span class="q">韵</span>这些儿<span class="q">读</span>寂寞情</span>
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怀<span class="q">句</span>何事新来常恁地<span class="q">韵
</span>○ ○●○○○●●
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按,“愁悴”二字,是后段起句,盖后结“何事”句,正与“永昼”句合也。《词律》谓有脱误,但无他阕可考,今照《词耎》点定。
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临江仙引 调见《乐章集》,注南吕调,与《临江仙令》、《临江仙慢》不同。</span>
临江仙引 <span class="q">双调七十四字,前段十句四平韵,后段六句三平韵</span> 柳 永</span>
渡口<span class="q">句</span>向晚<span class="q">句</span>乘瘦马<span class="q">句</span>陟崇冈<span class="q">韵</span>西郊又送秋光<span class="q">韵</span>对暮山横翠<span class="q">句</span>衬残叶飘黄<span class="q">韵</span>凭高念远<span class="q">句</span>素景楚</span>
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天<span class="q">句</span>无处不凄凉<span class="q">韵</span> 香闺别来无信息<span class="q">句</span>云愁雨恨难忘<span class="q">韵</span>指帝城归路<span class="q">句</span>但烟水茫茫<span class="q">韵</span>凝情望断</span>
⊙ ○●●○○ ⊙⊙◎○○●● ○○●●○○ ●●○○● ●○●○○ ○○●●
泪眼<span class="q">句</span>尽日独立斜阳<span class="q">韵
</span>●● ●◎●●○○
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柳永二首,大同小异,其起句俱二字两句,前段第六、七句,后段第三、四句,俱上一下四句法,填者审之。此词可平可仄,即参柳词别首。
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又一体 <span class="q">双调七十四字,前段十句两仄韵、四平韵,后段六句三平韵</span> 柳 永</span>
上国<span class="q">仄韵</span>去客<span class="q">韵</span>停飞盖<span class="q">句</span>促离筵<span class="q">平韵</span>长安古道绵绵<span class="q">韵</span>见岸花啼露<span class="q">句</span>对堤柳愁烟<span class="q">韵</span>物情人意<span class="q">句</span>向</span>
●●<span class="q"> </span>●● ○○● ●○○<span class="q"> </span>○○●●○○ ●●○○● ●○●○○ ●○○● ●
此触目<span class="q">句</span>无处不凄然<span class="q">韵</span> 醉拥征骖犹伫立<span class="q">句</span>盈盈泪眼相看<span class="q">韵</span>况绣帏人静<span class="q">句</span>更山馆春寒<span class="q">韵</span>今宵</span>
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怎向漏永<span class="q">句</span>顿成两处孤眠<span class="q">韵
</span>●●●● ●○●●○○
·
此与前词同,惟前段起二句,押仄韵异。
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碧牡丹 《金词》注:中吕调。</span>
碧牡丹 <span class="q">双调七十四字,前段七句五仄韵,后段八句六仄韵</span> 晏几道</span>
翠袖疏纨扇<span class="q">韵</span>凉叶催归燕<span class="q">韵</span>一夜西风<span class="q">句</span>几处伤高怀远<span class="q">韵</span>细菊枝头<span class="q">句</span>开嫩香还遍<span class="q">韵</span>月痕依旧庭</span>
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院<span class="q">韵</span> 事何限<span class="q">韵</span>怅望秋色晚<span class="q">韵</span>离人鬓华将换<span class="q">韵</span>静忆天涯<span class="q">句</span>路比此情还短<span class="q">韵</span>试约鸾笺<span class="q">句</span>传素</span>
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期良愿<span class="q">韵</span>南云应有新雁<span class="q">韵
</span>○○● ○○○●○●
·
汲古阁本,于“事何限”句分段,今照《花草粹编》校定。 此词前段第二句五字,惟《小山集》有此体,宋人皆三字两句也,故可平可仄,详注程词之下。 此词前段第六句、后段第七句,例应上一下四句法,与别句五字者不同。
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又一体 <span class="q">双调七十五字,前段九句五仄韵,后段九句六仄韵</span> 程 垓</span>
睡起情无著<span class="q">韵</span>晓雨尽<span class="q">句</span>春寒弱<span class="q">韵</span>酒盏飘零<span class="q">句</span>几日顿疏行乐<span class="q">韵</span>试数花枝<span class="q">句</span>问此情何若<span class="q">韵</span>为谁开<span class="q">句
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为谁落<span class="q">韵</span> 正愁却<span class="q">韵</span>不是花情薄<span class="q">韵</span>花元笑人萧索<span class="q">韵</span>旧观千红<span class="q">句</span>至今冷梦难托<span class="q">韵</span>燕麦春风<span class="q">句</span>更</span>
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几人惊觉<span class="q">韵</span>对花羞<span class="q">句</span>为花恶<span class="q">韵
</span>●○○● ●○○ ●○●
·
此与晏词同,惟前段第二句添一字,作三字两句,两结句各摊破句法,作三字两句异。宋有张先、晁补之两词可校。 按,晁词,前段第二句“银筝燕”,银字、筝字俱平声;第五句“婀娜腰肢柳细”,腰字平声,柳字仄声;第七句“红浪随鸳履”,红字平声;第八句“梁州紧”,梁字平声,紧字仄声;后段第五句“困人流波生媚”,人字仄声,流波二字俱平声;又,张词,后段第二句“闲照孤鸾戏”,闲字平声。谱内可平可仄据此。 又按。晁词,前后段第七句,“红浪随鸳履”、“眼乱尊中翠”,不作上一下四句法,不若张词“敛黛眉横翠”、“但暮云千里”,为合格也。
</span>
</span>
百媚娘 调见张先词集,取词中“百媚等应天乞与”句为名。</span>
百媚娘 <span class="q">双调七十四字,前后段各六句,五仄韵</span> 张 先</span>
珠阁五云仙子<span class="q">韵</span>未省有谁能似<span class="q">韵</span>百媚等应天乞与<span class="q">句</span>净饰艳妆俱美<span class="q">韵</span>取次芳华皆可意<span class="q">韵</span>何处无桃</span>
○●●○○● ●●●○○● ●●●○○●● ●●●○○● ●●○○○●● ○●○○
李<span class="q">韵</span> 蜀被锦文铺水<span class="q">韵</span>不放彩鸾双戏<span class="q">韵</span>乐事也知存后会<span class="q">句</span>争奈眼前心里<span class="q">韵</span>绿皱小池红叠砌<span class="q">韵
</span>● ●●●○○● ●●●○○● ●●●○○●● ○●●○○● ●●●○○●●
花外东风起<span class="q">韵
</span>○●○○●
·
此词无别首宋词可校。 按,此调十二句,每句第二字,多用去声,取其声之激越也。惟前段第一句“阁”字,第四句“饰”字,入声;第二句“省”字,上声耳。至两结句,第二字去声,尤不可误。
</span>
</span>
风入松 古琴曲有《风入松》,唐僧皎然有《风入松》歌,见《乐府诗集》,调名本此。《宋史·乐志》注:林钟商;元高拭词,注仙吕调,又双调;蒋氏十三调注:双调。亦名《风入松慢》,韩淲词,有“小楼春映远山横”句,名《远山横》。</span>
风入松 <span class="q">双调七十四字,前后段各六句,四平韵</span> 晏几道</span>
柳阴庭院杏梢墙<span class="q">韵</span>依旧巫阳<span class="q">韵</span>凤箫已远青楼在<span class="q">句</span>水沈烟<span class="q">读</span>复暖前香<span class="q">韵</span>临镜舞鸾离照<span class="q">句</span>倚筝飞雁</span>
◎○⊙●●○○ ⊙●○○ ◎○◎●○○● ◎⊙⊙ ◎●○○ ⊙●◎○⊙● ◎○⊙●
辞行<span class="q">韵</span> 坠鞭人意自凄凉<span class="q">韵</span>泪眼回肠<span class="q">韵</span>断云残雨当年事<span class="q">句</span>到如今<span class="q">读</span>几度难忘<span class="q">韵</span>两袖晓风花</span>
○○ ◎○○●●○○ ●●○○ ◎○⊙●○○● ◎○⊙ ◎●○○ ◎●◎○⊙
陌<span class="q">句</span>一帘夜月兰堂<span class="q">韵
</span>● ◎○○●○○
·
此调以此词及吴词为正体,若赵词、康词之减字,皆变格也。 此词前后段第二句各四字,宋周紫芝、赵师侠、曹冠、谢懋、陆游、高观国、史达祖、韩淲、李肩吾、赵闻礼诸词,与此同。 按,晏词别首,前段起句“心心念念忆相逢”,上念字仄声;曹词,第三句“澄江金斗平波面”,澄字、金字俱平声;高词,第四句“长桥爱花柳多情”,长字平声,爱字仄声;晏词,第五句“却似桃源失路”,失字仄声;高词,后段第四句“浓欢寄、桃叶桃根”,浓字平声,寄字仄声;晏词,第五句“若是初心未改”,未字仄声。谱内可平可仄据此,余参所采诸词。
</span>
又一体 <span class="q">双调七十二字,前后段各六句,四平韵</span> 赵彦端</span>
传闻天上有星榆<span class="q">韵</span>历历谁居<span class="q">韵</span>淡烟暮拥红云暖<span class="q">句</span>春寒乍有还无<span class="q">韵</span>作态似深仍浅<span class="q">句</span>多情要密还</span>
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疏<span class="q">韵</span> 移尊环坐足相娱<span class="q">韵</span>醉影凭扶<span class="q">韵</span>江南归到虽怜晚<span class="q">句</span>犹胜不见踟躇<span class="q">韵</span>尽拌绿阴青子<span class="q">句</span>凭</span>
○ ○○○●●○○ ●●○○ ○○○●○○● ○○●●○○ ●●●○○● ○
肩携手如初<span class="q">韵</span>
○○●○○
·
此词前后段第四句,校晏词各减一字,宋人仅见此体。
</span>
又一体 <span class="q">双调七十三字,前后段各六句,四平韵</span> 康与之</span>
一宵风雨送春归<span class="q">韵</span>绿暗红稀<span class="q">韵</span>画楼整日无人到<span class="q">句</span>与谁同撚花枝<span class="q">韵</span>门外蔷薇开也<span class="q">句</span>枝头梅子酸</span>
●○○●●○○ ●●○○ ●○●●○○● ●○○●○○ ○●○○○● ○○○●○
时<span class="q">韵</span> 玉人应是数归期<span class="q">韵</span>翠敛愁眉<span class="q">韵</span>塞鸿不到双鱼远<span class="q">句</span>叹楼前<span class="q">读</span>流水难西<span class="q">韵</span>新恨欲题红叶<span class="q">句
</span>○ ●○○●●○○ ●●○○ ●○●●○○● ●○○ ○●○○ ○●●○○●
东风满院花飞<span class="q">韵
</span>○○●●○○
·
此词后段第四句七字,疑前段“与谁同撚”句脱去一字,因宋《花庵词选》所载,采以备体。
</span>
又一体 <span class="q">双调七十六字,前后段各六句,四平韵</span> 吴文英</span>
画船帘密不藏香<span class="q">韵</span>飞作楚云狂<span class="q">韵</span>傍怀半卷金炉烬<span class="q">句</span>怕暖消<span class="q">读</span>春日朝阳<span class="q">韵</span>清馥晴熏残醉<span class="q">句</span>断烟无</span>
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限思量<span class="q">韵</span> 凭阑心事隔垂杨<span class="q">韵</span>楼燕锁幽妆<span class="q">韵</span>梅花偏恼多情月<span class="q">句</span>慰溪桥<span class="q">读</span>流水昏黄<span class="q">韵</span>哀曲霜鸿</span>
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凄断<span class="q">句</span>梦魂寒蝶悠飏<span class="q">韵
</span>○● ●○○●○○
·
此词前后段第二句俱五字,宋于国宝、蒋捷、周密、张炎,元张翥词,皆与此同,惟候寘词,作上一下四句法,稍异,因字数与吴词同,注明不另录。
</span>
</span>
传言玉女 高拭词注:黄钟宫。按,《汉武内传》:帝闲居承华殿,忽见一女子曰:我墉宫玉女王子登也,至七月七日,王母暂来,言讫,不知所在,世所谓传言玉女也。调名取此。</span>
传言玉女 <span class="q">双调七十四字,前后段各八句,四仄韵</span> 晁冲之</span>
一夜东风<span class="q">句</span>不见柳梢残雪<span class="q">韵</span>御楼烟暖<span class="q">句</span>对鳌山彩结<span class="q">韵</span>箫鼓向晚<span class="q">句</span>凤辇初回宫阙<span class="q">韵</span>千门灯火<span class="q">句
</span>◎●○○ ◎●●○○● ◎⊙⊙◎ ●○○◎● ○◎●● ◎●⊙○○● ⊙○⊙●
九衢风月<span class="q">韵</span> 绣阁人人<span class="q">句</span>乍嬉游<span class="q">读</span>困又歇<span class="q">韵</span>艳妆初试<span class="q">句</span>把朱帘半揭<span class="q">韵</span>娇羞向人<span class="q">句</span>手撚玉梅</span>
◎○○● ◎●○○ ●⊙○ ●●● ◎○⊙● ●⊙○◎● ⊙⊙●⊙ ◎●◎○
低说<span class="q">韵</span>相逢长是<span class="q">句</span>上元时节<span class="q">韵</span>● ●
○● ⊙○⊙● ●○○●
·
此调以此词为正体,后段第二句六字折腰,杨无咎、赵善扛、黄机、石孝友诸词,俱与此同,若曾词之句法小异,袁词之减字,皆变格也。 此词前后段第四句,例作上一下四句法,惟黄词前段第四句“磔磔敲春昼”,句法小异,应是偶误,后段第四句“比年时更瘦”,即合格也。 按,黄词,前段第三句“纹楸玉子”,纹字平声;赵词,第六句“春在暖红温翠”,春字平声,暖字仄声;杨词,第七句“曲阑幽榭”,曲字仄声;汪元量词,结句“潮生潮落”,上潮字平声;赵词,后段起句“油璧青骢”,油字平声;第二句“第一番、共燕喜”,一字仄声;赵词,第四句“有月如人意”,月字仄声;杨词,第六句“赢得几场春困”,赢字平声;黄词,第七句“那堪又是”,那字仄声。谱内可平可仄据此,余参所采二词。 杨无咎“小院春长”词,后段第五句“只愁飞去”,飞字平声,但查宋词,无不用仄者,应以仄声字为定格。
</span>
又一体 <span class="q">双调七十四字,前后段各八句,四仄韵</span> 曾 觌</span>
凤阙龙楼<span class="q">句</span>清夜月华初照<span class="q">韵</span>万点星球<span class="q">句</span>护花梢寒峭<span class="q">韵</span>华胥梦里<span class="q">句</span>老去欢情终少<span class="q">韵</span>花愁酒闷<span class="q">句</span>总</span>
●●○○ ○●●○○● ●●○○ ●○○○● ○○●● ●●○○○● ○○●● ●
消除了<span class="q">韵</span> 紫陌嬉游<span class="q">句</span>不是少年怀抱<span class="q">韵</span>珠帘十里<span class="q">句</span>听笙箫声杳<span class="q">韵</span>幽期密约<span class="q">句</span>暗想浅颦轻笑<span class="q">韵
</span>○○● ●●○○ ●●●○○● ○○●● ●○○○● ○○●● ●○●○○●
良时莫负<span class="q">句</span>玉山频倒<span class="q">韵
</span>○○●● ●○○●
·
此与晁词同,惟后段第二句不作折腰句法异。按,汪元量词,“万点灯光羞照”,正与此同。
</span>
又一体 <span class="q">双调七十三字,前后段各八句,四仄韵</span> <span class="q">《乐府雅词》</span>袁 裪</span>
眉黛轻分<span class="q">句</span>惯学汉宫梳掠<span class="q">韵</span>艳容可画<span class="q">句</span>那精神怎貌<span class="q">韵</span>鲛绡映玉<span class="q">句</span>钿带双穿缨络<span class="q">韵</span>歌音清丽<span class="q">句</span>舞</span>
○●○○ ●●●○○● ●○●● ●○○●● ○○●● ●●○○○● ○○○● ●
腰柔弱<span class="q">韵</span> 宴罢瑶池<span class="q">句</span>御风跨皓鹤<span class="q">韵</span>凤凰台上<span class="q">句</span>有萧郎共约<span class="q">韵</span>一面笑开<span class="q">句</span>向月斜褰珠箔<span class="q">韵</span>东</span>
○○● ●●○○ ●○●●● ●○○● ●○○●● ●●●○ ●●○○○● ○
园无限<span class="q">句</span>好花羞落<span class="q">韵
</span>○○● ●○○●
·
此亦晁词体,惟后段第二句减一字异。
</span>
</span>
枕屏儿 调见《梅苑》。</span>
枕屏儿 <span class="q">双调七十四字,前后段各九句,四仄韵</span> <span class="q">《梅苑》</span>无名氏</span>
江国春来<span class="q">句</span>留得素英肯住<span class="q">韵</span>月笼香<span class="q">句</span>风弄粉<span class="q">句</span>诗人尽许<span class="q">韵</span>酥蕊嫩<span class="q">句</span>檀心小<span class="q">句</span>不禁风雨<span class="q">韵</span>须东</span>
○●○○ ○●●○●● ●○○ ○●● ○○●● ○●● ○○● ●○○● ○○
君<span class="q">读</span>与他做主<span class="q">韵</span> 繁杏夭桃<span class="q">句</span>颜色浅深难驻<span class="q">韵</span>奈芳容<span class="q">句</span>全不称<span class="q">句</span>冰姿伴侣<span class="q">韵</span>水亭边<span class="q">句</span>山驿</span>
○ ●○●● ○●○○ ○●●○○● ●○○ ○●● ○○●● ●○○ ○●
畔<span class="q">句</span>一枝风措<span class="q">韵</span>十分似<span class="q">读</span>那人淡泞<span class="q">韵
</span>● ●○○● ●○● ●○●●
·
此调惟《梅苑》有此一词,无宋、元人他作可校。
</span>
</span>
剔银灯
《乐章集》注:仙吕调;《金词》亦注:仙吕调;元高拭词注:中吕宫;蒋氏九宫谱,属中吕调,名《剔银灯引》。</span>
剔银灯 <span class="q">
双调七十五字,前后段各七句五仄韵</span> 柳 永</span>
何事春工用意<span class="q">韵</span>绣画出<span class="q">读</span>万红千翠<span class="q">韵</span>艳杏夭桃<span class="q">句</span>垂杨芳草<span class="q">句</span>各斗雨膏烟腻<span class="q">韵</span>如斯佳致<span class="q">韵</span>早晚</span>
⊙●⊙○●● ●◎● ◎○○● ◎●⊙○ ⊙○⊙● ◎●◎○○● ⊙○⊙● ◎◎</span>
是<span class="q">读</span>读书天气<span class="q">韵</span> 渐渐园林明媚<span class="q">韵</span>便好安排欢计<span class="q">韵</span>论篮买花<span class="q">句</span>盈车载酒<span class="q">句</span>百琲千金邀妓<span class="q">韵
</span>● ◎○⊙● ◎●⊙○⊙● ◎●⊙○⊙● ◎⊙◎○ ⊙○◎◎ ●●⊙○○●
何妨沈醉<span class="q">韵</span>有人伴<span class="q">读</span>日高春睡<span class="q">韵
</span>⊙○⊙● ●⊙● ◎○⊙●
·
此词以柳词、毛词、杜词为正体,若范词、衷词之添字,皆变格也。 此词前段第二句七字,后段第二句六字,杜安世“夜永衾寒”词,正与此同。 按,杜词别首,前段起句“昨夜一场风雨”,一字仄声;后段第五句“免恁恼人肠肚”,恼字仄声。谱内据之,其余可平可仄,悉校类列四词。 又按,杜词别首,前段第五句“多情怎生为主”,情字平声。但查宋词,此字无不用仄者,应以仄声字为定格。
</span>
又一体 <span class="q">双调七十四字,前后段各七句,四仄韵</span> 毛 滂</span>
帘下风光自足<span class="q">韵</span>春到席间屏曲<span class="q">韵</span>瑶瓮酥融<span class="q">句</span>羽觞蚁斗<span class="q">句</span>花映酃湖寒绿<span class="q">韵</span>汨罗愁独<span class="q">韵</span>又何似<span class="q">读</span>红</span>
○●○○●● ○●●○○● ○●○○ ●○●● ○●○○○● ●○○● ●○● ○
围翠簇<span class="q">韵</span> 聚散悲欢箭速<span class="q">韵</span>不易一杯相属<span class="q">韵</span>频剔银灯<span class="q">句</span>别听牙板<span class="q">句</span>尚有龙膏堪续<span class="q">韵</span>罗熏绣</span>
○●● ●●○○●● ●●●○○● ○●○○ ●○○● ●●○○○● ○○●
馥<span class="q">韵</span>锦瑟畔<span class="q">读</span>低迷醉玉<span class="q">韵
</span>● ●●● ○○●●
·
此词前后段第二句俱六字,杜安世“昨夜一场”词,正与此同。 汲古阁刻《寿域词》本,前段第二句“春忽到席间屏曲”,亦作七字,今照《花草粹编》改定,原注侑歌者,以七急拍七拜欢酒“,或其歌法耳。
</span>
又一体 <span class="q">双调七十六字,前后段各七句,五仄韵</span> 杜安世</span>
好事争如不遇<span class="q">韵</span>可惜许<span class="q">读</span>多情相误<span class="q">韵</span>月下风前<span class="q">句</span>偷期窃会<span class="q">句</span>共把衷肠分付<span class="q">韵</span>尤云殢雨<span class="q">韵</span>正缱</span>
●●○○●● ●●● ○○○● ●●○○ ○○●● ●●○○○● ○○●● ●●
绻<span class="q">读</span>朝朝暮暮<span class="q">韵</span> 无奈别离情绪<span class="q">韵</span>酒和病<span class="q">读</span>双眉长聚<span class="q">韵</span>往事凄凉<span class="q">句</span>佳音迢递<span class="q">句</span>似此因缘谁</span>
● ○○●● ○●●○○● ●○● ○○○● ●●○○ ○○○● ●●○○○
做<span class="q">韵</span>洞云深处<span class="q">韵</span>暗回首<span class="q">读</span>落花飞絮<span class="q">韵
</span>● ●○○● ●○● ●○○●
·
前后段第二句俱七字。
</span>
又一体 <span class="q">双调七十八字,前后段各七句,四仄韵</span> 范仲淹</span>
昨夜因看蜀志<span class="q">韵</span>笑曹操<span class="q">读</span>孙权刘备<span class="q">韵</span>用尽机关<span class="q">句</span>徒劳心力<span class="q">句</span>只得三分天地<span class="q">韵</span>屈指细寻思<span class="q">句</span>争如</span>
●●○○●● ●○● ○○○● ●●○○ ○○○● ●●○○○● ●●●○○ ○○
共<span class="q">读</span>刘伶一醉<span class="q">韵</span> 人世都无百岁<span class="q">韵</span>少痴騃<span class="q">读</span>老成尫悴<span class="q">韵</span>只有中间<span class="q">句</span>些子少年<span class="q">句</span>忍把浮名牵</span>
● ○○●● ○●○○●● ●○● ●○○● ●●○○ ○●●○ ●●○○○
系<span class="q">韵</span>一品与千金<span class="q">句</span>问白发<span class="q">读</span>如何回避<span class="q">韵
</span>● ●●●○○ ●●● ○○○●
·
此与杜词同,惟前后段第六句添一字,作五字句、不用韵异。《花草粹编》采之《中吴纪闻》,无别首宋词可校。
</span>
又一体 <span class="q">双调七十八字,前后段各七句,五仄韵</span> 衷长吉</span>
古来五子伊谁有<span class="q">韵</span>唐室五王称首<span class="q">韵</span>窦氏五龙<span class="q">句</span>柳家五马<span class="q">句</span>西晋室<span class="q">读</span>陶家五柳<span class="q">韵</span>英名不朽<span class="q">韵</span>更东</span>
●○●●○○● ○●●○○● ●●●○ ●○●● ○●● ○○●● ○○●● ●○
汉<span class="q">读</span>马良并秀<span class="q">韵</span> 君今也五男还又<span class="q">韵</span>应是五星孕就<span class="q">韵</span>腹笥五经<span class="q">句</span>身膺五福<span class="q">句</span>指日继<span class="q">读</span>五侯之</span>
● ●○●● ○○●●○○● ○●●○●● ●●●○ ○○●● ●●● ●○○
后<span class="q">韵</span>个般非偶<span class="q">韵</span>好与醉<span class="q">读</span>刘伶五斗<span class="q">韵
</span>● ●○○● ●●● ○○●●
·
此亦毛词体,惟前后段起句及第五句各添一字,作七字句异。
</span>
</span>
隔帘听 唐教坊曲名,《乐章集》注:林钟商。</span>
隔帘听 <span class="q">双调七十五字,前段七句五仄韵,后段八句七仄韵</span> 柳 永</span>
咫尺凤衾鸳帐<span class="q">句</span>欲去无因到<span class="q">韵</span>虾须窣地重门悄<span class="q">韵</span>认绣履频移<span class="q">句</span>洞房窅窅<span class="q">韵</span>强语笑<span class="q">韵</span>逞如簧<span class="q">读</span>再</span>
●●●○○● ●●○○● ○○●●○○● ●●●○○ ●○●● ●●● ●○○ ●
三轻巧<span class="q">韵</span> 梳妆早<span class="q">韵</span>琵琶闲抱<span class="q">韵</span>爱品相思调<span class="q">韵</span>声声似把相思告<span class="q">韵</span>但隔帘赢得<span class="q">句</span>断肠多少<span class="q">韵</span>恁</span>
○○● ○○● ○○○● ●●○○● ○○●●○○● ●●○○● ●○○● ●
烦恼<span class="q">韵</span>除非是<span class="q">读</span>共伊知道<span class="q">韵
</span>○● ○○● ●○○●
·
坊刻与“梳妆早”句分段,今照《花草粹编》校正,其平仄无别首可校。
</span>
</span>
<h5 style="MARGIN: auto 0cm auto 21pt; TEXT-INDENT: 0cm">
</h5>
越溪春 调见《六一居士词》,因词中有“春色遍天涯,越溪阆苑繁华地”句,取以为名,盖赋越溪春色也。</span>
越溪春 <span class="q">双调七十五字,前段七句三平韵,后段六句四平韵</span> 欧阳修</span>
三月十三寒食日<span class="q">句</span>春色遍天涯<span class="q">韵</span>越溪阆苑繁华地<span class="q">句</span>傍禁垣<span class="q">读</span>珠翠烟霞<span class="q">韵</span>红粉墙头<span class="q">句</span>秋千影里<span class="q">句
</span>○●●○○●● ○●●○○ ●○●●○○● ●●○ ○●○○ ○●○○ ○○●●
临水人家<span class="q">韵</span> 归来晚驻香车<span class="q">韵</span>银箭透窗纱<span class="q">韵</span>有时三点两点雨霁<span class="q">句</span>朱门柳细风斜<span class="q">韵</span>沈麝不烧金</span>
○●○○ ○○●●○○ ○●●○○ ●○○●●●●● ○○●●○○ ○●●○○
鸭冷<span class="q">句</span>笼月照梨花<span class="q">韵
</span>●● ○●●○○
·
此词无别首宋词可校。 结二句,《词综》作“沈麝不烧金鸭,玲珑月照梨花”,六字两句。查本集,“玲”字系“冷”字,“珑”字系“笼”字,“冷”字属上作句,方有情韵,旧本皆然,今从之。
</span>
</span>
长生乐 调见《珠玉集》。</span>
长生乐 <span class="q">双调七十五字,前段八句五平韵,后段六句四平韵</span> 晏 殊</span>
玉露金风月正圆<span class="q">韵</span>台榭早凉天<span class="q">韵</span>画堂佳会<span class="q">句</span>组绣列芳筵<span class="q">韵</span>洞府星辰龟鹤<span class="q">句</span>福寿来添<span class="q">韵</span>欢声喜</span>
●●○○●●○ ⊙●●○○ ●○○● ●●●○○ ●●○○○● ⊙●○○ ○○◎</span>
色<span class="q">句</span>同入金炉泛浓烟<span class="q">韵</span> 清歌妙舞<span class="q">句</span>急管繁弦<span class="q">韵</span>榴花满酌觥船<span class="q">韵</span>人尽祝<span class="q">读</span>富贵又长年<span class="q">韵</span>莫</span>
● ⊙●○○●○○ ○○●● ●●○○ ○○●●○○ ○●● ●●●○○ ●
教红日西晚<span class="q">句</span>留著醉神仙<span class="q">韵
</span>○○●○● ⊙◎●○○
·
晏词二首,大同小异,其前段结句,例作拗句。又,前段第六句,旧本作“来添福寿”,应作“福寿来添”方合,观别首“飘散歌声”,声字用韵可证。 谱内可平可仄,即参下词。
</span>
又一体 <span class="q">双调七十五字,前段八句四平韵,后段六句四平韵</span> 晏 殊</span>
阆苑神仙平地见<span class="q">句</span>碧海架蓬瀛<span class="q">韵</span>洞门相向<span class="q">句</span>倚金铺微明<span class="q">韵</span>处处天花撩乱<span class="q">句</span>飘散歌声<span class="q">韵</span>装真筵</span>
●●○○○●● ●●●○○ ●○○● ●○○○○ ●●○○○● ○●○○ ○○○
寿<span class="q">句</span>赐与流霞满瑶觥<span class="q">韵</span> 红鸾翠节<span class="q">句</span>紫凤银笙<span class="q">韵</span>玉女双来近彩云<span class="q">韵</span>随步朝夕拜三清<span class="q">韵</span>为传</span>
● ●●○○●○○ ○○●● ●●○○ ●●○○●●○ ○●○●●○○ ●○
王母金箓<span class="q">句</span>祝千岁长生<span class="q">韵
</span>○●○● ●○●○○
·
此与前词同,惟前段起句不用韵,后段第三、四句俱七字异。
</span>
</span>
诉衷情近 <span class="q">双调七十五字,前段七句三仄韵,后段九句六仄韵</span> 柳 永</span>
雨晴气爽<span class="q">句</span>伫立江楼望处<span class="q">韵</span>澄明远水生光<span class="q">句</span>重叠暮山耸翠<span class="q">韵</span>遥想断桥幽径<span class="q">句</span>隐隐渔村<span class="q">句</span>向晚孤</span>
●○●● ●●○○●● ○○◎●○○ ○●●○●● ○●●○○● ◎●○○ ●●○
烟起<span class="q">韵</span> 残阳里<span class="q">韵</span>脉脉朱阑静倚<span class="q">韵</span>黯然情绪<span class="q">句</span>未饮先如醉<span class="q">韵</span>愁无际<span class="q">读</span>暮云过了<span class="q">句</span>秋风老尽<span class="q">句
</span>○● ⊙○● ●●○○●● ●○○● ●●○○● ○○● ●○●● ○○●●
故人千里<span class="q">韵</span>竟日空凝睇<span class="q">韵
</span>●○⊙● ●●○○●
·
此调只有柳词二首及晁词一首,故此词可平可仄,悉参所采二词。 柳永、晁补之,皆精于审音,故三词参校,其可平可仄处,不过三、四字。《词律》论“雨晴气爽”句是上平去上,“暮云过了”句是去平去上,“耸翠静倚”皆上去,亦细。
</span>
</span>
又一体 <span class="q">双调七十五字,前段七句两仄韵,后段九句六仄韵</span> 柳 永</span>
景阑昼永<span class="q">句</span>渐入清和气序<span class="q">句</span>榆钱飘满闲阶<span class="q">句</span>莲叶嫩生翠沼<span class="q">韵</span>遥望水边幽径<span class="q">句</span>山崦孤村<span class="q">句</span>是处园</span>
●○●● ●●○○●● ○○○●○○ ○●●○●● ○●●○○● ○●○○ ●●○
林好<span class="q">韵</span> 闲情悄<span class="q">韵</span>绮陌游人渐少<span class="q">韵</span>少年风韵<span class="q">句</span>自觉随春老<span class="q">韵</span>追前好<span class="q">韵</span>帝城信阻<span class="q">句</span>天涯目断<span class="q">句
</span>○● ○○● ●●○○●● ●○○● ●●○○● ○○● ●○●● ○○●●
暮云芳草<span class="q">韵</span>伫立空残照<span class="q">韵
</span>●○○● ●●○○●
·
此与“雨晴气爽”词同,惟前段第二句不用韵异。
</span>
又一体 <span class="q">双调七十五字,前段七句三仄韵,后段九句六仄韵</span> 晁补之</span>
小园过午<span class="q">句</span>便觉凉生翠柏<span class="q">韵</span>戎葵间出墙红<span class="q">句</span>萱草静依径绿<span class="q">韵</span>还是去年<span class="q">句</span>浮瓜沈李<span class="q">句</span>追凉故绕池</span>
●○●● ●●○○●● ○○●●○○ ○●●○●● ○●●○ ○○○● ○○●●○
边竹<span class="q">韵</span> 小筵促<span class="q">韵</span>忽忆杨梅正熟<span class="q">韵</span>下山南畔<span class="q">句</span>画舸笙歌逐<span class="q">韵</span>愁凝目<span class="q">韵</span>使君彩笔<span class="q">句</span>佳人锦字<span class="q">句
</span>○● ●○● ●●○○●● ●○○● ●●○○● ○○● ●○●● ○○●●
断弦怎续<span class="q">韵</span>尽日阑干曲<span class="q">韵
</span>●○●● ●●○○●
·
此亦与柳词同,惟前段第五、六句俱四字,第七句七字异。
</span>
</span>
下水船 唐教坊曲名。按,唐王保定《摭言》:裴庭裕,乾宁中在内庭,文书敏捷,号“下水船”,调名取此。</span>
下水船 <span class="q">双调七十五字,前段七句五仄韵,后段八句六仄韵</span> 黄庭坚</span>
总领神仙侣<span class="q">韵</span>齐到青云岐路<span class="q">韵</span>丹禁风微<span class="q">句</span>咫尺谛闻天语<span class="q">韵</span>尽荣遇<span class="q">韵</span>看即如龙变化<span class="q">句</span>一掷灵梭风</span>
◎●○○● ○●○○⊙● ⊙●○○ ◎◎●⊙⊙● ◎⊙● ◎●○○◎● ◎◎⊙⊙○
雨<span class="q">韵</span> 真游处<span class="q">韵</span>上苑寻春去<span class="q">韵</span>芳草芊芊迎步<span class="q">韵</span>几曲笙歌<span class="q">句</span>樱桃艳里欢聚<span class="q">韵</span>瑶觞举<span class="q">韵</span>回祝尧龄</span>
● ⊙○● ◎●○○● ⊙●○○⊙● ◎●○○ ○○●◎○● ⊙⊙● ⊙●○○
万万<span class="q">句</span>端的君恩难负<span class="q">韵
</span>◎● ○●○○⊙●
·
此调有黄词、贺词及晁词二首,黄、贺二词,字句并同,应为此调正体。若晁作“百紫千红”词之句读参差,“上客骊驹”词之添字,皆变格也。 此词可平可仄,即参下所采三词,故不复注。
</span>
又一体 <span class="q">双调七十五字,前段七句六仄韵,后段八句六仄韵</span> 贺 铸</span>
芳草青门路<span class="q">韵</span>还拂京尘东去<span class="q">韵</span>回想当年<span class="q">句</span>离声送君南浦<span class="q">韵</span>愁几许<span class="q">韵</span>尊酒流连薄暮<span class="q">韵</span>帘卷津楼风</span>
○●○○● ○●○○○● ○●○○ ○○●○○● ○●● ○●○○●● ○●○○○
雨<span class="q">韵</span> 凭阑语<span class="q">韵</span>草草蘅皋赋<span class="q">韵</span>分首惊鸿不驻<span class="q">韵</span>灯火虹桥<span class="q">韵</span>难寻弄波微步<span class="q">韵</span>漫凝伫<span class="q">韵</span>莫怨无情</span>
● ○○● ●●○○● ○●○○●● ○●○○ ○○●○○● ●○● ●●○○
流水<span class="q">韵</span>明月扁舟何处<span class="q">韵
</span>○● ○●○○○●
·
此与黄词同,惟前段第六句押韵异。
</span>
又一体 <span class="q">双调七十五字,前段七句四仄韵,后段八句四仄韵</span> 晁补之</span>
百紫千红翠<span class="q">韵</span>唯有琼花特异<span class="q">韵</span>便是当年<span class="q">句</span>唐昌观中玉蕊<span class="q">韵</span>尚记得<span class="q">句</span>月里仙人来赏<span class="q">句</span>明日喧传都</span>
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市<span class="q">韵</span> 甚时又<span class="q">句</span>分与扬州本<span class="q">句</span>一朵冰姿难比<span class="q">韵</span>曾向无双亭边<span class="q">句</span>半酣独倚<span class="q">韵</span>似梦觉<span class="q">句</span>晓出瑶台</span>
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十里<span class="q">韵</span>犹忆飞琼标致<span class="q">韵
</span>○● ○●○○○●
·
此亦黄词体,惟后段第四句六字,第五句四字、句读参差,又前段第五句,后段第一、二句、第六句,俱不押韵,第七句多押一韵异。
</span>
又一体 <span class="q">双调七十六字,前段七句六仄韵,后段八句六仄韵</span> 晁补之</span>
上客骊驹系<span class="q">韵</span>惊唤银屏睡起<span class="q">韵</span>困倚妆楼<span class="q">句</span>盈盈正解罗髻<span class="q">韵</span>凤钗坠<span class="q">韵</span>缭绕金盘玉指<span class="q">韵</span>巫山一段云</span>
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委<span class="q">韵</span> 半窥镜<span class="q">句</span>向我横秋水<span class="q">韵</span>斜颔花枝交镜里<span class="q">句</span>淡拂铅华<span class="q">句</span>匆匆自整罗绮<span class="q">韵</span>敛眉翠<span class="q">韵</span>虽有愔</span>
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愔密意<span class="q">韵</span>空作江边解佩<span class="q">韵
</span>○●● ○●○○●●
·
此词本集不载,从《能改斋漫录》采入,亦黄词体,惟后段起句不押韵,第三句添一字异。
</span>
</span>
解蹀躞 曹勋词,名《玉蹀躞》。</span>
解蹀躞 <span class="q">双调七十五字,前段六句三仄韵,后段七句五仄韵</span> 周邦彦</span>
候馆丹枫吹尽<span class="q">句</span>回旋随风舞<span class="q">韵</span>夜寒霜月<span class="q">读</span>飞来伴孤旅<span class="q">韵</span>还是独拥秋衾<span class="q">句</span>梦余酒困都醒<span class="q">句</span>满怀离</span>
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苦<span class="q">韵</span> 甚情绪<span class="q">韵</span>深念凌波微步<span class="q">韵</span>幽房暗相遇<span class="q">韵</span>泪珠都作<span class="q">读</span>秋宵枕前雨<span class="q">韵</span>此恨音驿难通<span class="q">句</span>待凭</span>
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征雁归时<span class="q">句</span>寄将愁去<span class="q">韵
</span>⊙●○○ ●○○●
·
此调始见《清真集》,应以此词为正体,若杨词之多押一韵,吴词之少押一韵,方词及杨词别首之句读参差,曹词之句读小异,皆变格也。但杨、吴、曹三体,字句整齐,方词及杨词别首,则采以备考,不可为法。 按,陈允平和词,后段第四句“如今憔悴,黄花惯风雨”,如字平声;第六句“醉来一枕闲窗”,一字仄声。谱内据此,其余可平可仄,悉参下所采四词。 前段起句“馆”字,参吴词可平,“丹”字、“吹”字,参吴词可仄;第三句“寒”字,参曹词可仄,“月”字参曹词可平。然查宋词,如此填者甚少,自当以周词为定格。
</span>
又一体 <span class="q">双调七十五字,前段六句四仄韵,后段七句五仄韵</span> 杨无咎</span>
迤逦韶华将半<span class="q">韵</span>桃杏匀於染<span class="q">韵</span>又还撩拨<span class="q">读</span>春心信凄黯<span class="q">韵</span>准拟剧饮狂吟<span class="q">句</span>可怜无复当年<span class="q">句</span>酒肠文</span>
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胆<span class="q">韵</span> 倦游览<span class="q">韵</span>憔悴羞窥鸾鉴<span class="q">韵</span>眉端为谁敛<span class="q">韵</span>可堪风雨<span class="q">读</span>无情暗亭槛<span class="q">韵</span>触目千点飞红<span class="q">句</span>问春</span>
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争得春愁<span class="q">句</span>也随春减<span class="q">韵
</span>○●○○ ●○○●
·
此与周词同,惟前段起句用韵异。按,杨泽民和周词,前段第一、二句“一掬金莲微步,堪向盘中舞”,正与此同。
</span>
又一体 <span class="q">双调七十五字,前段六句三仄韵,后段七句四仄韵</span> 吴文英</span>
醉云又兼醒雨<span class="q">句</span>楚梦时来往<span class="q">韵</span>倦蜂刚著梨花<span class="q">读</span>惹游荡<span class="q">韵</span>还作一段相思<span class="q">句</span>冷波叶舞愁红<span class="q">句</span>送人双</span>
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桨<span class="q">韵</span> 暗凝想<span class="q">韵</span>情共天涯秋黯<span class="q">句</span>朱桥锁深巷<span class="q">韵</span>会稀投得轻分<span class="q">读</span>顿惆怅<span class="q">韵</span>此去幽曲谁来<span class="q">句</span>可怜</span>
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残照西风<span class="q">句</span>半妆楼上<span class="q">韵
</span>○●○○ ●○○●
·
此与周词同,惟后段第二句不押韵,前后段第三句作上六下三句法异。按,陈允平和周词,“记得芙蓉江上,萧娘旧相遇”,正与此同。 又按,周词前段起句,例用仄仄平平平仄“,此独用仄平仄平仄仄,文英精于审音,必中律吕,采入以备一体。
</span>
又一体 <span class="q">双调七十五字,前段六句三仄韵,后段七句五仄韵</span> 方千里</span>
院宇无人清昼<span class="q">句</span>静看帘波舞<span class="q">韵</span>自怜春晚<span class="q">读</span>漂流尚羁旅<span class="q">韵</span>那况泪湿征衣<span class="q">句</span>恨添客鬓<span class="q">句</span>终日子规声</span>
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苦<span class="q">韵</span> 动离绪<span class="q">韵</span>漫整徘徊愁步<span class="q">韵</span>何时再相遇<span class="q">韵</span>旧欢如昨<span class="q">读</span>匆匆楚台雨<span class="q">韵</span>别后南北天涯<span class="q">句</span>梦魂</span>
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犹记关山<span class="q">句</span>屡随书去<span class="q">韵
</span>○●○○ ●○○●
·
此和周词,惟前结作四字一句、六字一句异。
</span>
又一体 <span class="q">双调七十五字,前段六句三仄韵,后段七句五仄韵</span> 曹 勋</span>
雨过池台秋静<span class="q">句</span>桂影凉清昼<span class="q">韵</span>槁叶喧空<span class="q">读</span>疏黄满堤柳<span class="q">韵</span>风外残叶枯荷<span class="q">句</span>凭阑一晌<span class="q">句</span>犹喜冷香襟</span>
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袖<span class="q">韵</span> 少欢偶<span class="q">韵</span>人道消愁须酒<span class="q">韵</span>酒又怕醒后<span class="q">韵</span>这般光景<span class="q">读</span>愁怀煞难受<span class="q">韵</span>谁念千种秋情<span class="q">句</span>乍凉</span>
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虽好<span class="q">句</span>还恨夜长时候<span class="q">韵
</span>○● ○●●○○●
·
此亦周词体,惟前后两结,俱作四字一句、六字一句异。 按,周词,前段第二句平仄平平仄,后段第三句平平仄平仄,此词后段第三句,独用仄仄仄平仄;又,周词,前段第三句及后段第四句,上四字例用仄平平仄,此词前段第三句,上四字独用仄仄平平,应是偶误,不必从。
</span>
又一体 <span class="q">双调七十五字,前段六句三仄韵,后段七句五仄韵</span> 杨无咎</span>
金谷楼中人在<span class="q">句</span>两点眉颦绿<span class="q">韵</span>叫云穿月<span class="q">读</span>横吹楚山竹<span class="q">韵</span>怨断忧忆因谁<span class="q">句</span>坐中有客<span class="q">句</span>犹记在<span class="q">读</span>平</span>
○●○○○● ●●○○● ●○○● ○○●○● ●●○●○○ ●○●● ○●● ○
阳宿<span class="q">韵</span> 泪盈目<span class="q">韵</span>百啭千声相续<span class="q">韵</span>停杯听难足<span class="q">韵</span>漫夸天海风涛<span class="q">读</span>旧时曲<span class="q">韵</span>夜深烟惨云愁<span class="q">句</span>倩</span>
○● ●○● ●●○○○● ○○●○● ●○○●○○ ●○● ●○○●○○ ●
君沈醉<span class="q">句</span>明日看<span class="q">读</span>梅梢玉<span class="q">韵
</span>○○● ○●● ○○●
·
此亦周词体,惟后段第四句作上六下三句法,及前后段两结句,俱作六字折腰句法异。
</span>
</span>
扑蝴蝶 按,周密《癸辛杂志》云:吴有小妓,善舞扑蝴蝶,疑是舞曲。邵叔齐词,名《扑蝴蝶近》。</span>
扑蝴蝶 <span class="q">双调七十五字,前段七句三仄韵,后段八句四仄韵</span> 曹 组</span>
人生一世<span class="q">句</span>思量争甚底<span class="q">韵</span>花开十日<span class="q">句</span>已随尘逐水<span class="q">韵</span>且看欲尽花枝<span class="q">句</span>未厌伤多酒盏<span class="q">句</span>何须细推物</span>
○○◎● ○○○●● ○○◎● ◎○⊙●● ◎○◎●○○ ◎●○○●● ○○●○◎</span>
理<span class="q">韵</span> 幸容易<span class="q">韵</span>有人争奈<span class="q">句</span>只知名与利<span class="q">韵</span>朝朝日日<span class="q">句</span>忙忙劫劫地<span class="q">韵</span>待得一晌闲时<span class="q">句</span>又却三春</span>
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过了<span class="q">句</span>何如对花沈醉<span class="q">韵
</span>◎● ○○●○⊙●
·
此调有两体,后段第三句或五字、或七字。五字者,或作仄平平仄仄,或作平平平仄仄;七字者,或作仄仄平平仄仄仄,或作仄仄平平仄平仄。又,前段第二句,曹、赵两词,俱作平平平仄仄,而邵、丘两词,则或作平仄仄平仄,或作平仄平平仄,最为差错不齐,填者任择一体,遵之可也。 按,吕渭老“风荷露竹”词,前段第六句“微醉歌声审稳”,微字平声;后段第四句“小窗睡起”,小字仄声;第七句“秋杪黄花渐近”,秋字平声。谱内可平可仄据此,余参后词。
</span>
又一体 <span class="q">双调七十五字,前段七句四仄韵,后段八句五仄韵</span> 赵师侠</span>
清和时候<span class="q">句</span>薰风来小院<span class="q">韵</span>琅玕脱箨<span class="q">句</span>方塘荷翠飐<span class="q">韵</span>柳丝轻度流莺<span class="q">句</span>画栋低飞乳燕<span class="q">韵</span>园林绿阴初</span>
○○○● ○○○●● ○○●● ○○○●● ●○○●○○ ●●○○●● ○○●○○
遍<span class="q">韵</span> 景何限<span class="q">韵</span>轻纱细葛<span class="q">句</span>纶巾和羽扇<span class="q">韵</span>披襟散发<span class="q">句</span>心清尘不染<span class="q">韵</span>一杯洗涤无余<span class="q">句</span>万事消磨</span>
● ●○● ○○●● ○○○●● ○○●● ○○○●● ○○●●○○ ●●○○
去远<span class="q">韵</span>浮名薄利休羡<span class="q">韵
</span>●● ○○●●○●
·
此与曹词同,惟前段第六句、后段第七句,俱押韵异。
</span>
又一体 <span class="q">双调七十七字,前段七句四仄韵,后段八句五仄韵</span> 邵叔齐</span>
兰摧蕙折<span class="q">句</span>霜重晓风恶<span class="q">韵</span>长安何处<span class="q">句</span>孤根漫自托<span class="q">韵</span>水寒断续溪桥<span class="q">句</span>月破黄昏院落<span class="q">韵</span>相逢俨然瘦</span>
○○●● ○●●○● ○○○● ○○●●● ●○●●○○ ●●○○●● ○○●○●
削<span class="q">韵</span> 最萧索<span class="q">韵</span>星星蓬鬓<span class="q">句</span>杳杳家山路正邈<span class="q">韵</span>攀枝嗅蕊<span class="q">句</span>露陪清泪阁<span class="q">韵</span>已无蝶使蜂媒<span class="q">句</span>不共</span>
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莺期燕约<span class="q">韵</span>甘心伴人淡薄<span class="q">韵
</span>○○●● ○○●○●●
·
此亦与曹词同,惟后段第三句添二字异。无名氏“烟条雨叶”词,及吕渭老词二首,俱如此填。按,吕词后段,第三句“倾入离愁万千斗”,倾字平声,无名氏词“明月楼中画眉懒”,眉字平声。其余已详曹词。
</span>
又一体 <span class="q">双调七十七字,前段七句六仄韵,后段八句五仄韵</span> 丘 崈</span>
鸣鸠乳燕<span class="q">韵</span>春在梨花院<span class="q">韵</span>重门镇掩<span class="q">韵</span>沈沈帘不卷<span class="q">韵</span>纱窗红日三竿<span class="q">句</span>睡鸭余香一线<span class="q">韵</span>佳眠悄无人</span>
○○●● ○●○○● ○○●● ○○○●● ○○○●○○ ●●○○●● ○○●○○
唤<span class="q">韵</span> 漫消遣<span class="q">韵</span>行云无定<span class="q">句</span>楚雨难凭梦魂断<span class="q">韵</span>清明渐近<span class="q">句</span>天涯人正远<span class="q">韵</span>尽教闲了秋千<span class="q">句</span>觑著</span>
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海棠开遍<span class="q">韵</span>难禁旧愁新怨<span class="q">韵
</span>●○○● ○○●○○●
·
此与邵词同,惟前段第一句、第三句俱用韵异。
</span>
</span>
千年调 曹组词,名《相思会》,因词有“刚作千年调”句,辛弃疾改名《千年调》。</span>
千年调 <span class="q">双调七十五字,前后段各九句四仄韵 </span> 辛弃疾</span>
卮酒向人时<span class="q">句</span>和气先倾倒<span class="q">韵</span>最要然然可可<span class="q">句</span>万事称好<span class="q">韵</span>滑稽坐上<span class="q">句</span>更对鸱彝笑<span class="q">韵</span>寒与热<span class="q">句</span>总随</span>
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人<span class="q">句</span>甘国老<span class="q">韵</span> 少年使酒<span class="q">句</span>出口人嫌拗<span class="q">句</span>此个和合道理<span class="q">句</span>近日方晓<span class="q">韵</span>学人言语<span class="q">句</span>未会十分</span>
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巧<span class="q">韵</span>看他门<span class="q">句</span>得人怜<span class="q">句</span>秦吉了<span class="q">韵
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按,辛词有二首,其源似出于曹词,但曹词句读参差,又添衬字,故以辛词为谱。 辛词别首,前段起句“左手把青霓”,左字仄声;第二句“右手挟明月”,右字、挟字俱仄声;第三句“吾使丰隆前导”,右字、前字俱平声;第四句“叫开阊阖”,开字平声;第八句“万斛泉”,斛字仄声;后段第三句“帝饮予觞甚乐”,觞字平声;第七句“余马怀”,余字平声;结句“下恍惚”,下字仄声。谱内可平可仄据此,余参曹词。 《词律》论前段第四句“事”字不可平,观曹词亦用“见”字;论第八句“随”字不可仄,辛词别首“斛”字以入作平,曹词亦用“劳”字。至论“合”字平声,按《中原雅音》,合音呵,《中原音韵》歌戈部,入声作平声,有合字,此亦金元曲谱所用北言之音,不可以律宋词,故参辛词别首及曹词作谱。
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又一体 <span class="q">双调七十七字,前后段各九句四仄韵 </span> 曹 组</span>
人无百年人<span class="q">句</span>刚作千年调<span class="q">韵</span>待把门关铁铸<span class="q">句</span>鬼见失笑<span class="q">韵</span>多愁早老<span class="q">句</span>惹尽闲烦恼<span class="q">韵</span>我惺也<span class="q">句</span>枉劳</span>
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心<span class="q">读</span>漫计较<span class="q">韵</span> 粗衣淡饭<span class="q">句</span>赢取暖和饱<span class="q">韵</span>住个宅儿<span class="q">句</span>只要不大不小<span class="q">韵</span>常教洁净<span class="q">句</span>不种闲花</span>
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草<span class="q">韵</span>据见在<span class="q">句</span>乐平生<span class="q">句</span>便是神仙了<span class="q">韵
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此见《乐府雅词》,即辛词之所从出也。惟后段第三句四字,第四句六字,与辛词异。结句五字,又多两衬字。
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蕊珠闲 调见《介庵词》。</span>
蕊珠闲 <span class="q">双调七十五字,前段八句四仄韵,后段八句六仄韵</span> 赵彦端</span>
浦云融<span class="q">句</span>梅风断<span class="q">句</span>碧水无情轻度<span class="q">韵</span>有娇黄上林梢<span class="q">句</span>向春欲舞<span class="q">韵</span>绿烟迷昼<span class="q">句</span>浅寒欺暮<span class="q">韵</span>不胜小楼</span>
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凝伫<span class="q">韵</span> 倦游处<span class="q">韵</span>故人相见易阻<span class="q">韵</span>花事从今堪数<span class="q">韵</span>片帆无恙<span class="q">句</span>好在一篙春雨<span class="q">韵</span>醉袍宫锦<span class="q">句</span>画</span>
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罗金缕<span class="q">韵</span>莫教恨传幽句<span class="q">韵
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此词前段第三句“有娇黄上林梢”,疑有脱误,然无别首可校。
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瑞云浓 调见《逃禅集》,蒋氏《九宫谱》,入黄钟宫。</span>
瑞云浓 <span class="q">双调七十五字,前后段各七句,四仄韵</span> 杨无咎</span>
睽离漫久<span class="q">句</span>年华谁信曾换<span class="q">韵</span>依旧当时似花面<span class="q">韵</span>幽欢小会<span class="q">句</span>记永夜<span class="q">读</span>杯行无算<span class="q">韵</span>醉里屡忘归<span class="q">句</span>任</span>
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虚檐月转<span class="q">韵</span> 能变新声<span class="q">句</span>随语意<span class="q">读</span>悲欢感怨<span class="q">韵</span>可更余音寄羌管<span class="q">韵</span>倦游江淛<span class="q">句</span>问似伊<span class="q">读</span>阿谁曾</span>
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见<span class="q">韵</span>度已无肠<span class="q">句</span>为伊可断<span class="q">韵
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此词无别首可校。
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番枪子 调见金韩玉《东浦词》。李献能因此词后段结句,有“春草碧”句,更名《春草碧》。</span>
番枪子 <span class="q">双调七十五字,前段五句四仄韵,后段六句四仄韵</span> 韩 玉</span>
莫把团扇双鸾隔<span class="q">韵</span>要看玉溪头<span class="q">读</span>春风客<span class="q">韵</span>妙处风骨萧闲<span class="q">句</span>翠罗金缕瘦宜窄<span class="q">韵</span>转面两眉攒<span class="q">读</span>青山</span>
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色<span class="q">韵</span> 到此月想精神<span class="q">句</span>花似秀质<span class="q">韵</span>待与不清狂<span class="q">读</span>如何得<span class="q">韵</span>奈何难驻朝云<span class="q">句</span>易成春梦恨又积<span class="q">韵
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送上七香车<span class="q">读</span>春草碧<span class="q">韵
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此调惟金、元人填之,有完颜璹、李献能、钱抱素、钱应庚词可校。 按,李献能词,前段起句“紫箫吹破黄昏月”,箫字平声;钱应庚词,第二句“还记五湖船、烟波约”,还字平声;完颜璹词,第三句“底事胜赏匆匆”,胜字仄声;李词,第四句“颜色如花命如叶”,颜字平声,色字仄声,花字平声;第五句“千里涴凝尘、凌波袜”,千字平声;钱抱素词,后段起句、第二句“梨花燕子清明,谁家院宇”,梨字、花字、家字俱平声;第三句“天地一蘧庐、从栖泊”,天字平声,李词“旧时雪堂人、今华发”,时字平声;钱词,第四句“天涯行李萧萧”,天字平声,又“自怜素发无多”,素字仄声;完颜词,第五句“故苑春光又陈迹”,苑字仄声,光字、陈字俱平声,又李词“杯深不觉琉璃滑”,杯字平声,不字仄声,琉字平声;钱词,结句“白首友于情、同忧乐”,忧字平声。谱内可平可仄据此。
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